St John Ambulance First Aider and Logistics Support Volunteer during the COVID-19 pandemic

Woman Suffers Heart Attack – My First Ever “Event” as a St John Ambulance Volunteer

On the way home today, after my Logistics Support volunteer shift, I sat on a bench by a bus stop, 10 mins walk from our East London Ambulance Hub, taking in the evening sunshine and people watching.

A bus pulled up at the bus stop. It stayed there a few minutes, as buses do, and I just assumed it was to regulate the service, as is often normal with buses. It was there a while and I took no notice of it, just continued enjoying the sunshine and sea (there was no sea lol).

After realising the bus had been parked there a while longer than one would expect for a few minutes of service regulation, it dawned upon me that the bus had been there so long that everyone who was on the bus had disembarked to continue their journey via another bus or by other means.

The bus had emptied and the back doors remained open. Still onboard the bus I saw the driver pacing back and forth, a woman sitting at a window seat near the front, and a man wearing a high visibility vest, also pacing back and forth whilst talking on his phone. I then noticed the driver bending down talking to the seated woman who was now leaning forward.

It appeared something wasn’t right, so I boarded the bus to see if there was anything wrong and if I could possibly offer any help. I quickly learned both the driver and the man on his phone were each communicating with the emergency services, trying to get an ambulance to come to her aid.

The bus driver told me that the woman, who was now leaning against the window, holding her chest and seemingly in a lot of pain, said to him that she’s having a heart attack and that she had one last week and that’s how she knew what was wrong with her.

Still holding her chest, saying she needed the hospital and she doesn’t want to die, she managed to present some medication from her bag to me. The man on his phone was at this time still giving information about her condition to the emergency services. The bus driver was also doing the same from his driver seat.

As she was still sitting and leaning over but now not making any movement, I spoke to her and she responded. I then just kept talking to her and tried to keep her calm. I asked her name, which she told me, I had a look at her medication, and reassured her help is on the way while she told me some of what the bus driver and the other man present had already told me she’d said prior to my arrival.

I decided to call the Hub directly and told them what was happening to see if there were any ambulance crews available that could immediately assist. It seemed like a good 10 mins had passed while waiting for any ambulance to arrive. The man was still on his phone and the driver was also on a call trying to get emergency assistance.

I don’t know what made me look out of the bus window behind me at this moment, but I turned around and saw an ambulance driving past in the opposite direction of the bus, it was a St John Ambulance. I recognised it was Peter and Shelbie just on their way to the Hub to begin their twilight shift for the evening. They had no idea there was an emergency situation taking place inside the bus on the other side of the road.

I immediately ran out of the bus and managed to flag them down, signalling them to come to the bus. I perhaps could’ve done a better job of displaying urgency, panic, distress, and an emergency help required now type of energy, as afterwards I learned that they initially thought I was just waving at them to say hello. Nevertheless, on went the blue lights and they turned around and came back and parked in the road behind the bus and jumped out to find out what the matter was.

I informed them that a woman on the bus says she’s having a heart attack, how long we’d been there, gave them her medication and made them aware that she’d been given some water to drink just prior by the bus driver, and that she informed us she’d suffered a heart attack just last week. They hastily grabbed a Lifepak from the ambulance, an oxygen cylinder bag etc and boarded the bus to aid the woman.

As they were talking to her and carrying out their observations, in between the cramped seating area of the bus and the stairway, the woman began to vomit profusely. I ran out of the bus and onto to the ambulance and bought back sick bags and tissues and gave a sick bag to the woman. After vomiting, the woman when asked said she was unable to walk to the ambulance. She was then placed in a carry chair and hurriedly wheeled off the bus by the crew towards the ambulance.

Just as this was happening, London Ambulance Service turned up with their ambulance and parked up behind ours. As Peter and Shelbie hadn’t signed on for work yet and were without an airwave radio, the woman was then handed over to LAS instead to be transported from there to the hospital.

As this was happening, I had collected the Lifepak, its leads and oxygen cylinder bag from the bus and took them back onto our ambulance. I placed the Lifepak back in its bracket and then Clinell wiped clean the leads on realising when I touched them that, like the other equipment, they hadn’t quite fully escaped the shower of projectile vomit the bus had received. I further wiped my hands clean and placed the used wipes in the clinical waste bin at the back of the ambulance.

By this time, Peter and Shelbie had returned from handing over the woman to the LAS. We were still parked in the road. There was right then a moment we somehow all at the same time were walking down the ramp of the ambulance exiting the open back doors. I looked up to see another St John Ambulance crew driving past us, on their way to another emergency call. They smiled and acknowledged us as they drove by. In that very moment, I felt tall and I felt proud.

Walking out of that ambulance today, I felt like one of three heroes. I feel useful. I feel like I’m a part of something meaningful. Making a difference. Today, Wednesday 22nd July 2020, although unexpected, unplanned and unscheduled, marks my first ever “event” as a St John Ambulance First Aider.

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THE POET PHOENIX JAMES

THE POET PHOENIX JAMES is a British-born, award-winning poet, author, spoken word recording artist, and multidisciplinary creator whose dynamic career spans literature, performance, film, fashion, music, and independent media. Widely recognised for fearless expression and genre-defying artistry, Phoenix James has built a powerful creative legacy that bridges page, stage, studio, screen, and digital platforms. He is a pioneer of live spoken word performance in the UK before the era of camera phones, and is known as a foundational figure in the UK and global spoken word movements. He is often mentioned alongside pioneering spoken word artists like Linton Kwesi Johnson, Benjamin Zephaniah, Jean ‘Binta’ Breeze, Patience Agbabi, Lemn Sissay and Salena Godden for his foundational contributions to the UK’s live poetry and spoken word scene. MONIKER AND EARLY CAREER Early in his career in 1998, Phoenix James performed and released work under the moniker Phenzwaan, a name associated with several of his earliest spoken word albums and recordings. This period marked the foundation of his evolving artistic voice and experimentation within the spoken word and poetry scene. WRITER & POET Phoenix James is the author of 20 published books, exploring love, identity, vulnerability, power, masculinity, and spiritual and philosophical inquiry. His first limited edition printed poetry collection, To Whom It May Concern, was published in 2003. His work spans poetry, prose, philosophy, essays, and creative storytelling. His available book titles include, in order of publication: Love, Sex, Romance & Other Bad Things Route to Destruction Delirium of the Wise Don’t Let the Daffodils Fool You Call Me When You’re Free Far from the Outside The Ones We Didn't Kill Lessons from Everywhere Another One for Burning A Long Bright Cold Dark Summer Shame Point Zero The Sandbag Theory Soft, Sexy & Wet Below Base Level To Catch A Passing UFO Now We're Truly Beautiful We All Should Be Amazed Before When It's Time Amidst Time That Waits Time As Always Was SPOKEN WORD RECORDING ARTIST Phoenix James has released 18 spoken word albums, crafting sonic experiences that blend poetry, music, ambient textures, and emotion-driven performance. His current albums include, in order of release: Phenzwaan Now & Forever: The Definitive Collection A Patchwork Remedy for A Broken Melody FREE Haven for the Tormented With All That Said Remixes Vol: 1 Remixes Vol: 2 Light Beams from the Void The Love So Far Early CD Album Releases: Phoenix James released a number of CD albums between 2000 and 2006 under his early moniker Phenzwaan. These include, in order of their release: The A.R.T.I.S.T. (debut album) Meditations of A Cosmic Wordsmith We Will Survive Phenzwaan Live @ The Spitz Inevitable Mystique Like A Phoenix Alchemy Fluid Vol: 1 Alchemy Fluid Vol: 2 Solidified These early works represent his foundational spoken word and musical expressions prior to the digital era, showcasing his pioneering contributions and artistic evolution. With over 1,000 videos on his YouTube channel and more than 70 spoken word singles available on streaming platforms including YouTube Music, Spotify, Apple Music, and Amazon Music, Phoenix James' work continues to influence global audiences through digital distribution. FILM & TELEVISION Phoenix James made his first BBC television appearance performing poetry in 2004, marking an important step in bringing spoken word poetry to broader audiences through mainstream media. Since then, he has appeared in and worked on several high-profile international film and television productions, including: Skyfall (James Bond) Star Wars: The Force Awakens Guardians of the Galaxy Mission: Impossible Cleanskin Multiple BBC dramas and documentaries He has also written, directed, and produced independent films, such as the acclaimed mock-documentary Love Freely but Pay for Sex, which further solidifies his legacy in independent media. FASHION & MODELLING Awarded Best Male Model by Fashion TV in 2007, Phoenix James has worked in editorial, runway, and brand campaigns that blend storytelling with style and presence. COMMUNITY, COMMENTARY & LEGACY Phoenix James has produced live events, hosted spoken word showcases, and delivered workshops empowering creative voices. Beyond creation, Phoenix James nurtures emerging voices and preserves his artistic legacy for future generations. As a cultural commentator and philosopher, his work interrogates themes of intimacy, race, masculinity, freedom, and creative autonomy. ACADEMIC & EDUCATIONAL INFLUENCE Phoenix James’ work is used in academic institutions and educational establishments around the world for teaching, research, and cultural study. His writng, philosophy, poetry, recordings and performances are referenced in courses on modern literature, race and identity, spoken word history, and performance art. His contributions continue to be studied for their originality, social commentary, and cultural significance. LASTING IMPACT Phoenix James continues to champion self-publishing, ensuring full creative ownership and artistic freedom. His ongoing project, The Complete Works, is dedicated to archiving and preserving his vast creative output for future generations. His legacy is built not only on the impact of his words and work but on the pioneering spirit that made space for others to follow. Phoenix James is an unstoppable ecosystem of fearless creative expression, a living, breathing force, documenting the beauty, relentless struggle, and uncompromising raw humanity of a life unfiltered. Phoenix James lives in London, England and enjoys movies, music, plays, good food, long walks, and travelling. Sign up to his website Newsletter Mailing List to stay up to date with Phoenix James news and new releases.